Montegrappa Extra 1930
I remember seeing the Montegrappa Extra in 1991 on a visit to Novelli Pens in Rome. My typical visit with Marco is ask him to show me something exciting. Well he did. For those that have been to Novelli you will know that while there are numerous counters of pens in the front section of the store, Marco always goes to the back and comes back with tray after tray of pens. When the Montegrappa Extra was presented as an option, I stopped looking.
My first was in 1991 with the Parchment. Then in 2009 I acquired another, the Marble Green. Most recently, in2014 I added the Turtle Brown by my set of Extra 1930s.
The Extra 1930 is a large pen, with an oversized nib.
Even my wife Karen was excited when she saw and wrote with the pen. As we know, that is a helpful reaction! Sometimes Marco has presented her the pen rather than directly to me ... smart man.
The Extra 1930 is based on the design of a 1938 model and has a classic appearance. The pen is big with a very large 18-karat gold nib, and an ebonite ink-feed system. The ink flows onto paper with ease. The internal piston filling system holds a good amount of ink.
The pen has a good sturdy clip and a screw on cap. The body and cap are celluloid with Sterling Silver trim. There are four different nib sizes available extra-fine to broad.
My Parchment is with a medium nib. My Marble Green and Turtle Brown are with Broad nibs.
I had a slight problem with the Parchment pen when I first purchased it. Ink from the nib would be deposited inside the cap, and then work it way out of the cap along the clip where it enters the cap. For the first few days I would clip my pen into a white shirt only to find a small dot of blue ink appear! I sent it back to Montegrappa and they installed a plastic sheath in the cap. Works fine now. So not only was I pleased with the pen, but I was pleased with how the company responded to my problem.
With parchment toned pens be careful about ink If you leave ink in the pen, especially on the nib, and leave the pen laying around,you will get some staining inside the pen cap. I have now had my pen for over five years and there is some discolouration in the cap from when I used black ink and over time it did discolour the semi-translucent material.
In 2009, I acquired the Montegrappa Extra 1930 in Marble Green on my visit to Novelli Pen in Rome.
Earlier in the month I had visited with the Giuseppe Aquila, the CEO of Montegrappa Pen in Brassano del Grappa, and I was hoping to add a Montegrappa to my collection.
I looked at, and tried a number of great pens while at Novelli. Marco, as always, is very patient as I dipped and wrote with various pens. Whether it was one of the pens in one of the pen cases in the front of the store, or one of the pens from the trays of pens that would be brought out from the back of the store, there were plenty to choose from.
All of them I would love to have as part of my pen collection. However, every-time I came back to the Montegrappa Extra, and over the course of almost a half an hour of trying out various pens it became the pen of choice for me.
I like the size of the Extra 1930. It is large, but does not have a bulky feel in the hand. The nib is large and even though this is a Medium Nib, the flow of ink is enough to match my a Broad nib at the narrower end of the spectrum. I dropped the pen, splitting it and damaging the nib. I had a Broad installed with the repair process.
The finish with the sterling silver trip and the rich tones of green, yellow green and back is outstanding. True to many of the celluloid pens, the pattern the black veins have a unique look and as you turn the pen in your hand you do not see the same pattern repeating.
The cap nicely posts on the body of the pen that gives a length of about six inches (15 cm). So overall the pen has a good size and sits in my hand quite comfortably. It has a piston fill mechanism that operates by turning a section at the end of the pen
The nib is 18K gold and has an ebonite feed system. The Greek fret band at the bottom of the cap gives the pen a very classic look and the sterling silver looks great with the soft greens and yellow/greens of the body and cap.
The presentation box is very impressive. Solid ash. This box can sit anywhere to display the pen. Included in a cleaning cloth for the sterling silver, a piece of leather than can be used to rest the pen, a bottle of Montegrappa ink and all the papers for the pen.
This of course in the introduction to my most recent addition, the Extra 1930 in Turtle Brown.
I have the classic Extra 1930 with Sterling Silver Trim. There were a limited number of pens in Turtle Brown produced with rose gold trim and the Bamboo Black with 18 kt yellow gold trim.
The Extra 1930 was inspired from a pen Montegrappa produced in the 1930s. These are classic Montegrappa. When I visited with the company, the individual in charge of marketing put it this way: celluloid and sterling silver is the DNA of Montegrappa.
The Marble Green and Parchment lines are no longer in production.